When I was a little girl, I loved reading a series of books written by a woman who was born in 1799 to a noble Russian family and was said to be descended from Genghis Khan. Her name is Rostopchine Comtesse de Segur.
She received an aristocratic education and spoke five languages including French. (Russian nobles found it fashionable to have French governesses for their children.) Exiled from Russia during the Napoleonic Wars, she married into the French family of the Count Eugene de Segur.
The Countess had eight children and many grandchildren to whom she frequently told morality-based stories that she made up on the spot. At age 58, encouraged by her family, the Countess began to put her beloved storytelling into storybooks for the wider world.
She started by writing about simplistic characters representing good and evil. (“prince disguised as pauper” type of tales.) But her characters escaped from those restrictions and acquired a life of their own. I loved her stories about a donkey named Cadichon who was ill- treated by his family, rebelled and grew wise in the process. Other stories were about General Dourakine (Dourak means “imbecile” in Russian).
Then her fans requested stories about “model little girls” to serve as role models for aristocratic girls. So she created “Les petites filles modeles,” Camille and Madeleine. She also invented their foil in what became her most famous work, “Les Malheurs de Sophie.” Sophie was to be the negative role model who fell into one scrape after another.
But the readers had little interest in Camille and Madeleine, and perversely the misbehaving Sophie became a great literary favorite.
Didn’t the Countess know that misadventures are always more fun than exemplary lives? I doubt that any of the children who read her became little “Goody Two Shoes.”